Projects in Pre-Production – Good Films Collective

PRODUCTION SCHEDULED FOR FALL 2024

THE POSTCARD KILLER
(AKA THE POSTCARD KILLINGS 2)

Continuing directly from where the original left off, Marina Haysmith, driven by her relentless thirst for revenge, travels across Europe, leading to a climactic showdown with Jacob Kanon in the shadowy underground of modern-day Russia.

SCREENPLAY: Luke Garrett
DIRECTOR: Renny Harlin
STARRING: Jeffrey Dean Morgan, Famke Janssen, Naomi Battrick, Denis O’Hare
BUDGET: $17,000,000

PRODUCTION BEGINS: Fall 2024
RELEASE: Thanksgiving 2025

PRODUCTION SCHEDULED FOR WINTER 2025

THE MAN WHO STOLE THE SKY

It’s been 50 years since the FBI had been embarrassed by the famous hijacking perpetrated by the elusive D.B. Cooper. 50 years of mockery, 50 years of dead ends, 50 years of failure. Well, the reckoning has come, and it’s name is special agent Isaac Tanenbaum.

Flawless in his career and riding high on recent achievements, Isaac is assigned the prestigious task of tracking down D.B. Cooper, bringing him to justice, and wiping away the blemish from the FBIs history. Together, with a ragtag crew of experienced investigators, Tanenbaum will uncover that digging up the past just leaves a lot of holes in the ground.

Perhaps the answers he’s looking for lie outside the mystery?

SCREENPLAY: Luke Garrett
DIRECTOR: Renny Harlin
BUDGET: $17,000,000

PRODUCTION BEGINS: February 2025
RELEASE: Thanksgiving 2025

PRODUCTION SCHEDULED FOR FALL 2025

DUCHESS OF MALFI

Told through the eyes of the spy, Bosola, we follow his struggles to conspire against The Duchess and Antonio, two star-crossed lovers forced into exile. Bosola, a violent henchman of the Cardinal and born of rags, dreams of nothing more than raising his social status. The Duchess, born of riches, wants the freedom to marry for love, rather than position.

When their lives intersect, both suffer the price of their desires.

A timeless love story that takes us on an unforgettable journey, this tale of revenge, passion, loyalty, and prejudice is as powerful and relevant today as it was 400 years ago.